BRAND: Andrew Wallenstein is an editor at the Hollywood Reporter. Courtesy Bebe Barron The work, completed in 2000, is called It's almost too much to bear for the nostalgics among us. This is a revelatory and quintessentially American story, written with David McCullough’s signature narrative energy. Their score for Union rules continued to be an obstacle, and technology eventually passed the Barrons by. Drawn in great part from a rare and all-but-unknown collection of diaries and letters by the key figures, The Pioneers is a uniquely American story of people whose ambition and courage led them to remarkable accomplishments. It doesn't dig too deep and can be a bit breathless in its compliments. Television critic Andrew Wallenstein reviews the new documentary Milton Berle, Bob Hope and Sid Caesar are just a few of the names that made television what it is today.
Vaudeville's performers were accustomed to taking the same material to stage after stage across the country, but when TV took root, an act that once could be performed countless times could now be exhausted after only one showing in front of tens of millions. Milton Berle, Bob Hope and Sid Caesar are just a few of the names that made television what it is today.
You know, I was very fortunate. The documentary "Pioneers of Primetime" airs tonight on PBS. And after a few minutes of footage, you understand what "Pioneers of Primetime" is getting at. Thomas A. Dorsey was one of the gospel pioneers profiled in George Nierenberg's Say Amen, Somebody. As documentaries go, "Pioneers of Primetime" is a rather breezy overview. They used it to record friends and parties, and later opened one of the first private sound studios in America. Their names were left off the Oscar nomination.This clip, from the film's climax, features actors Leslie Nielsen and Walter Pidgeon. Married in 1947, the Barrons received a tape recorder as a wedding gift.
You have to work with the writers. These men and women could sing, dance, tell jokes, do pratfalls. Though they never scored another film, Louis and Bebe Barron, who divorced in 1970, continued to collaborate until his death in 1989.Bebe Barron didn't compose for a decade, but in 1999 she was invited to create a new work at the University of California-Santa Barbara, using the latest in sound-generating technology. Television's very first star, Milton Berle, understood that the stage and the studio were the places where he honed his craft.
Mr. SID CAESAR: It starts with the writing. Detail from the cover of the Forbidden Planet DVD. WALLENSTEIN: It's sad enough to see these incredible entertainers diminished by age, but juxtaposed against some really great footage of these folks in their prime, well, be warned. The documentary was originally released in 1982, and has been remastered and re-released. I recall very well that it was a form and a format of my vaudeville days and we had what we called a revue... Mr. BERLE: ...where there was no sit-com, there was no story line. They settled a territory completely unknown both to viewers and entertainers. It was just great acts performing their best, and I meant great acts.
The 1948 book The Barrons' music caught the ear of the avant-garde scene: In the early 1950s, they worked on a year-long project with composer John Cage. Visit our website Married in 1947, the Barrons received a tape recorder as a wedding gift.
They're called that for a reason.
Bebe and Louis Barron, pictured in their studio in 1956.
They occupy a whole other stratosphere that doesn't seem to exist today. Copyright © 2005 NPR.
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